*Style Sheet for Contributors:
Author's Bio: 50-100 words, including name, affiliation, select publications, and current research
Abstract: paragraph (ca. 150-200 words) summarizing the essay's argument.
1. Style: B&L uses The Chicago Manual of Style, 14th or 15th edition, with a
preference for parenthetical citations using the author-date -page number system. We can accept manuscripts
in Word, Word Perfect or RTF formats. We prefer email attachments, but also accept manuscripts on diskette
Articles generally run from 7000 to 9000 words, but we also occasionally publish "clusters" of shorter essays
on a related theme. We send articles out for review as soon as we find a reader with expertise in the field
who is willing to serve. Each essay will be sent to no more than two readers; if these readers disagree, the
editors make the final decision. We strongly encourage authors who receive a report to “Revise and Resubmit”
to do so, with the guidance of the editors.
We welcome proposals for future essay-clusters by groups of scholars. If you would like to propose an
essay-cluster (two or more essays on a related theme) for a general or a special issue, please send
manuscripts to the editors, preferably along with the name of another scholar to introduce the cluster.
Essay-clusters are subject to the same peer-review process as articles considered singly.
2. Citations: We prefer, where possible, parenthetical citations using the author-date-page number
Fineman, taking a world-historical point of view, hypothesizes that "Shakespeare marks the beginning of the modernist self and Freud . . . its end, the two of them together thus bracketing an epoch of subjectivity" (Fineman 1986, 47); but Sinfield largely avoids the issue, asserting a "sufficient continuity" between these understandings (Sinfield 1992, 60), while insisting that what has been the problem all along is, not selfhood, but essentialist humanism, the way in which we interpret selfhood.
Please reserve endnotes for substantive explanatory comments. We prefer endnotes to be in a separate
document, but can work with endnotes created through a word processor's endnote function. For two authors
with the same surname, include first initial in parenthetical citations. For two or more works by a single
author, include author, date and page number: e.g., (Sinfield 1985, 72). For two or more works by a single
author published in the same year, allot a letter to each work published in the same year, in alphabetical
e.g., (Nisenson 2000a, 202).
3. Quotations: For poetry of three or more lines and prose quotations of four or more lines, use
indented block quotations. Shorter quotations may be included in the body of the essay as inline quotations.
4. Languages: While some foreign words or phrases may be utilized in the text (and may be italicized),
the article otherwise should be entirely in English. If your text includes quotations in a language other
than English, use authoritative translations (or your own), followed by English translation in parentheses.
Identify the translators in the footnotes. The titles of books and articles in languages other than English
should be followed immediately by their English translations in parentheses. Adhere strictly to the
conventions of any foreign language you use; we depend on you for accuracy. Please use American rather than
British spelling except in quotations.
Font: Use Times Roman 12 (non-proportional) font.
Margins: Set at 1-inch right, left, top, and bottom. Do not justify right margin. Do not set
Line Spacing: Double space (2 line spaces) entire manuscript, including notes and block quotes.
Page Numbers: Number pages in upper right corner, beginning with page 2 (suppress page 1 number).
Otherwise, use no running head.
Paragraphs: Use Tab key to indent paragraphs. Use automatic (soft) return within each paragraph (use
hard return only for paragraph end). Use 1 hard return at the end of each paragraph. Use 2 hard returns only
between sections (if any).
Character Spacing: Use 1 space after periods, colons, commas and semicolons. To create a dash, type 2
hyphens with one space before the preceding word and one space after the following word. To type an
ellipsis, type a space between each of the 3 periods and between the preceding and following words. In the
case of an ellipsis following a period, do not put a space between the period and the preceding word. Do not
worry about an ellipsis breaking at the end of a line.
Hyphenation: Do not use automatic hyphenation. Do not hyphenate end-of-line words unless they are
Borrowers and Lenders: The Journal of Shakespeare and Appropriation is supported by the University of
Georgia English Department, the Willson Center for Humanities and Arts, University of Georgia, the
President's Venture Fund of the University of Georgia, and the <emma> project.
Permissions and Disclaimers
The opinions expressed on this site do not necessarily reflect the views of the editors, the English
Department, or the University System of Georgia.
Essays may not be copied or downloaded from this site without the express permission of Borrowers and
Lenders or the author. Multimedia may not be downloaded or copied from this site without permission
from the copyright holder or holders.
Authors are responsible for securing any necessary permissions for illustrations to their essays. Contact the
General Editors if you are having difficulty doing this.
The editors have made every effort to obtain permission from copyright holders, but in some cases have been
unable to contact the holders.
If you have any further information about copyrights and permissions of material on this site, please contact
About the Journal
Borrowers and Lenders,
winner of the CELJ Best New Journal Award in 2007, is a peer-reviewed, online, multimedia Shakespeare
journal (http://www.borrowers.uga.edu). The journal is indexed in the MLA Bibliography, World
Shakespeare Bibliography, and other databases.
Editorial Staff and Board
General Editors: Christy Desmet and Sujata Iyengar, University of Georgia
Associate Editor: Robert Sawyer, East Tennessee State University
Managing Editor: Maria Chappell, University of Georgia
Book Review Editor: Joshua King, University of Georgia
Appropriations in Performance Editor: Matthew Kozusko, Ursinus College
Software Code Writer: Ron Balthazor, University of Georgia
Website Design: William Reeves, University of Georgia
Editorial Assistant: Sarah Mayo, University of Georgia
Michael Best, University of Victoria, Victoria
Mark Thornton Burnett, Queen’s University, Belfast
Richard Burt, University of Florida
Thomas Cartelli, Muhlenberg College
Celia Daileader, Florida State University
Juliet Dusinberre, Girton College, Cambridge
Daniel Fischlin, University of Guelph, Ontario
Sarah Hatchuel, University of Le Havre
Alexa Huang, George Washington University
Russell Jackson, University of Birmingham
Ruru Li, University of Leeds
Arthur Little, University of California, Los Angeles
Ania Loomba, University of Pennsylvania
Sharon O'Dair, University of Alabama
Laurie Osborne, Colby College
Patricia Parker, Stanford University
David Riggs, Stanford University
Katherine Rowe, Bryn Mawr College
Anne Russell, Wilfrid Laurier University
Jyotsna Singh, Michigan State University
Bruce Smith, University of Southern California
Stanley Wells, Shakespeare Institute, University of Birmingham
Borrowers and Lenders: The Journal of Shakespeare and Appropriation is a peer-reviewed,
online, multimedia journal that welcomes original scholarship engaging with the afterlives of Shakespearean
texts and their literary,
filmic, multimedia, and critical histories. It encourages contributors to use the online format to its best
advantage, in particular,
by imagining how to enhance or illustrate their essays with multimedia (screen captures, sound clips,
images, and so on). B&L won the CELJ's
"Best New Journal" Award in 2007. B&L is fully indexed in the MLA Bibliography. B&L is
currently co-edited by Dr. Christy Desmet (cdesmet[at]uga.edu)
and Dr. Sujata Iyengar (iyengar[at]uga.edu); correspondence should be addressed to lenders[at]uga.edu or to
Managing Editor Ms. Maria Chappell